{"id":1364,"date":"2022-12-09T14:59:40","date_gmt":"2022-12-09T14:59:40","guid":{"rendered":"https:\/\/www.dayfornight.fr\/?page_id=1364"},"modified":"2023-12-08T13:27:33","modified_gmt":"2023-12-08T13:27:33","slug":"fantasticalite","status":"publish","type":"page","link":"http:\/\/www.dayfornight.fr\/en\/fantasticalite\/","title":{"rendered":"Fantasticalit\u00e9 - In vivo theatre"},"content":{"rendered":"
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________
<\/span>fantasticalit\u00e9 \u200b<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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[In vivo th\u00e9\u00e2tre]<\/span><\/p>

The aim of this project is to explore the question of the fantastic in theatre, in its interaction between actors and music.<\/span><\/p>

 L\u2019atmosph\u00e8re fantastique impr\u00e8gne depuis longtemps les cr\u00e9ations de la compagnie day-for-night, et se d\u00e9veloppe de plus en plus dans les derni\u00e8res cr\u00e9ations, notamment <\/span>Nostalgie 2175<\/em>, in a strong relationship with a musical dramaturgy that takes over part of the meaning and sensations.<\/span><\/p>

Nous voudrions aujourd\u2019hui approfondir cette question du fantastique tant du point de vue de l’acteur, de l’\u00e9criture sc\u00e9nique que du mat\u00e9riau textuel. Il s\u2019agira d\u2019explorer la dimension sonore \u00e0 travers les notions de montage et de soundscape travaill\u00e9e par Jacques Tourneur et Lynch \u00e0 sa suite, et d\u2019exp\u00e9rimenter comment les protocoles du cin\u00e9ma fantastique peuvent se transposer au th\u00e9\u00e2tre.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Fantasticalit\u00e9 - In vivo theatre <\/i>au Festival Manifeste de l’Iracm au Th\u00e9\u00e2tre de Genevilliers en juin 2023 \u00a9Quentin Chevrier<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0<\/span>Tourneur et Lynch traitent la musique et le paysage sonore en continuit\u00e9, ce qui est aussi notre cas, et nous y ajoutons une articulation avec la dimension du jeu d\u2019acteur, et sa n\u00e9cessaire interaction pr\u00e9cise avec la musique et le vivant.\u00a0<\/span><\/p>

This commitment to the subject of fantasy is linked to the desire to consider the contemporary world by moving away from a linear vision of history; ghosts, traces, departures from genealogies do indeed create spaces where temporality and geographies are recomposed. <\/span>
It will therefore be a question of experimenting with the principles of precise articulation between acting, dramaturgy and music around this question of the fantastic, and developing a methodology for interaction between the living and the recorded, in order to find the limits of atmospheres and degrees of reality.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The suggested body of work will be that of Francophone women's writing, which, while not defining itself as fantasy, expands the boundaries of binary oppositions - visible\/invisible; daytime\/nocturnal; living\/dead - and challenges our perceptual modalities. Starting with the universe of the author Ken Bugul, we noticed how rare female writing was within this body of work. It therefore seemed important to us to focus the project on these women and to explore this dimension of the female gaze, particularly as an escape from domination.<\/span><\/p>

With the festival L'Univers des mots directed by Hakim Bah in Conakry and recent university research, we share the observation of a sort of blind zone with regard to these women's dramatic writings, so the researcher Am\u00e9lie Th\u00e9r\u00e9sine will join us to build a repertoire of Afro-diasporic women authors and open up the field of this contemporary creation.<\/span><\/p>

Two texts by French-speaking authors (Ga\u00eblle Bien-aim\u00e9 and Dodji do Rego) will be set to music by four composers and performed by the same group of actors, both students of the Conservatoire National Sup\u00e9rieur d'Art Dramatique and experienced actors. The composers will be supported by Nuria Gimenez Comas, composer, and the actors by Anne Monfort, director, and Laure Bachelier-Mazon, a playwright and a computer music director from Ircam.<\/span><\/p>

The work will be presented at the T2G as part of Ircam's ManiFeste\/In Vivo Th\u00e9\u00e2tre Academy and will be carried out in partnership with the company day-for-night, the Theatre-Studio in Vitry and the Univers des mots festival in Conakry.\u00a0<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Fantasticalit\u00e9 - In vivo theatre <\/i>au Festival Manifeste de l’Iracm au Th\u00e9\u00e2tre de Genevilliers en juin 2023 \u00a9Quentin Chevrier<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Calendar\u00a0<\/span>
4th October | Call for young composers launched<\/span>
25th October, 21st, 23rd et 30th November | working session with the actors of the CNSAD<\/span>
Autumn 2022 | constitution of the repertoire of Francophone women authors<\/span>
December 2022 | selection of young composers<\/span>
Tuesday 10th January 2023 | working session of young composers at Ircam<\/span>
From 6th to 10th March 2023 | working session with actors from the CNSAD <\/span>
Monday 20th or Tuesday 21st March 2023 in T2G - Th\u00e9\u00e2tre de Gennevilliers | preparatory workshop with all participants and professional actors<\/span>
Monday 5th ou Tuesday 6th June 2023 | working session with young composers<\/span>
From thursday 6th to thursday 13th April 2023 at Ircam & Studio Theatrer of Vitry | <\/span>preparatory workshop with all participants<\/span>
From monday 19th to friday 30th June 2023 at TG-Th\u00e9\u00e2tre de Genevilliers | preparatory workshop with all participants and professional actors<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

________fantasticalit\u00e9 \u200b [In vivo th\u00e9\u00e2tre] L\u2019enjeu de ce projet sera de travailler la question du fantastique au th\u00e9\u00e2tre, dans son<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/pages\/1364"}],"collection":[{"href":"http:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/comments?post=1364"}],"version-history":[{"count":52,"href":"http:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/pages\/1364\/revisions"}],"predecessor-version":[{"id":3236,"href":"http:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/pages\/1364\/revisions\/3236"}],"wp:attachment":[{"href":"http:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/media?parent=1364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}