{"id":1160,"date":"2022-09-28T12:37:11","date_gmt":"2022-09-28T12:37:11","guid":{"rendered":"http:\/\/www.dayfornight.fr\/?page_id=1160"},"modified":"2023-01-27T14:30:26","modified_gmt":"2023-01-27T14:30:26","slug":"blackout-white-noise","status":"publish","type":"page","link":"https:\/\/www.dayfornight.fr\/en\/blackout-white-noise\/","title":{"rendered":"Blackout white noise"},"content":{"rendered":"
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________<\/span><\/p>

blackout white noise<\/span>
<\/span><\/span><\/span>CREATION 2024<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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During the occupation of the Rhineland in 1923, a male secretary loses his job. A female secretary takes over his job. She hesitates to speak to a French colonial troop soldier who stands guard outside her office window. Today, the soldier's great-granddaughter lives in Germany and struggles to talk to her grandfather in an old people's home.<\/span>
These four voices, from Africa and Europe, blend and respond to each other, ghosts of the past intertwining with the present.<\/span><\/p>

The old world is dying, the new world is slow to appear, and in this chiaroscuro<\/span><\/em>
monsters arise.<\/em> Antonio Gramsci<\/span><\/p>

Kevin Rittberger proposed an initial text as part of the Autoren[theater]tage. The French author <\/span>Penda Diouf continued the writing process to create a joint text.<\/span><\/p>

On reading Blackout White Noise, I was particularly moved by the project and by the characters proposed by Penda and Kevin - people who evade determinism, who do not obey what history, as we have been taught it, might impose on them. There is in this writing a strength of resistance to narrative simplifications - no, a secretary who loses his job in the 1920s does not necessarily throw himself into the arms of the Nazi party, yes, a \"colonial soldier\" and a German woman can meet, beyond the issues of winner and loser, and skin colour.\nThis is also the case with Blackout White Noise, which moves through spaces and temporalities, from the 1920s to today, from Europe to Africa, creating hallucinatory and sensitive dimensions.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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PRODUCTION<\/span>
<\/strong>Production\u00a0<\/span>day-for-Night<\/span><\/span>
Coproduction in progress<\/span>
<\/span><\/span>day-for-night is subsidised by the DRAC Bourgogne Franche-Comt\u00e9 and by the Bourgogne-Franche-Comt\u00e9 region. The company is supported in its projects by the Departmental Council of Doubs and the City of Besan\u00e7on. \nThe company have a DGCA mentoring network with Louise Legendre and May Hilaire.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cassandre ou la fin de la repr\u00e9sentation<\/em> by Kevin Rittberger, directed by Anne Monfort with the ESAD students \u00a9 Christophe Raynaud de Lage<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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CAST<\/span>
<\/span>Text and artistic collaboration
Panda Diouf et Kevin Rittberger
<\/span><\/span>Direction
Anne Monfort
<\/span><\/span>Cast in progress
<\/span>Administration and production
Yohan Rantswiler
<\/span><\/span>Production and booking
Florence Francisco & Gabrielle Baille<\/span>
Les Productions de la Seine
<\/span><\/span>Press relations
Olivier Saksik \u2013 Elektronlibre<\/span><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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MORE INFORMATIONS
<\/span>x Download the artistic dossier in french<\/a><\/span><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

________ blackout white noiseCR\u00c9ATION 2024 Pendant l\u2019occupation de la Rh\u00e9nanie en 1923, un secr\u00e9taire perd son travail. C\u2019est une secr\u00e9taire<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/pages\/1160"}],"collection":[{"href":"https:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/comments?post=1160"}],"version-history":[{"count":84,"href":"https:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/pages\/1160\/revisions"}],"predecessor-version":[{"id":2685,"href":"https:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/pages\/1160\/revisions\/2685"}],"wp:attachment":[{"href":"https:\/\/www.dayfornight.fr\/en\/wp-json\/wp\/v2\/media?parent=1160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}