{"id":519,"date":"2018-07-18T10:37:56","date_gmt":"2018-07-18T10:37:56","guid":{"rendered":"http:\/\/www.dayfornight.odns.fr\/?page_id=519"},"modified":"2025-02-11T10:28:55","modified_gmt":"2025-02-11T10:28:55","slug":"international","status":"publish","type":"page","link":"https:\/\/www.dayfornight.fr\/en\/international\/","title":{"rendered":"international"},"content":{"rendered":"
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More than ever in 2024, the company day-for-night feels drawn to Edouard Glissant's term, \u2018tout-monde\u2019 (all world), with any topical questions that this expression raises - the transitivity of narratives and representation - who can play what, who has the right to tell what narrative, how can we work together to share memories, how can we make narratives travel from one space to another? The company is committed to bringing people together, working in close collaboration with performers from diverse backgrounds, and representing the world in the right artistic and political way, as keys to living the future with an awareness of our history.<\/span><\/p>

The productions directed by Anne Monfort are marked by this positioning:<\/span>
No(s) r\u00e9volution(s)<\/em><\/a> (No\/Our Revolution(s)) in 2015-2016 brought together a German author and a Portuguese playwright, and French, German and Portuguese actors; the show was performed in all three countries, with the languages adapted according to the country where the show was staged. Anne Monfort also had an opportunity to translate and perform Tout coule<\/em> (Everything Flows) at the Institut fran\u00e7ais in Bremen with the title Alles fliesst<\/em>. Pas pleurer<\/em><\/a>, by Lydie Salvayre, premiered in Barcelona and then in France in 2019, with a French actor and a Catalan actor, in French, Castilian and Catalan. Anne Monfort also worked with Nuria Gimenez Comas on the libretto for Shadows<\/em> at the Liceu Opera in Barcelona, based on Jelinek's work. In 2024, a bilingual French-German version of Quart d\u2019heure am\u00e9ricain<\/em><\/a>(The American Quarter Hour) was created, making the show accessible to French classes in Germany. <\/span>
In these different experiments, the aim was to work on both the musicality of languages and the precision of meaning, seeking to convey these nuances primarily through play.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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